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Craftsman bungalow vignette – finishing the porch

Back in June, I started the porch on the Craftsman bungalow vignette. Then I realized I should finish the interior windows and paneling before attaching the porch, while I could still easily put the vignette face-down on the table.

Here’s where I left off.

I positioned the porch so there would be the same amount of space between the posts and the corners of the porch roof. I drew pencil lines at the outer edges of the door trim to make sure I lined it up correctly when gluing.

The directions just said to glue the porch to the front of the house, without any tips for how to do that. The porch is made from a solid block of wood. I didn’t have high hopes that regular glue would hold it, but gave it a try.

As predicted, that didn’t work. Because the porch is being attached to siding rather than a flat surface, the glue didn’t have much to adhere to. I could have gotten out the big clamps and clamped it into position to dry, but I just didn’t have a good feeling about the glue holding, so I wiped it off while it was still wet and asked Geoff for help.

My initial thought was to nail the porch to the house through the bottom of the foundation. Geoff held the nail gun in there and found that it would fit, with the nails going in at an angle.

Because he likes to over-engineer things (in a good way), he suggested using construction adhesive in addition to nails.

We turned the house upside down on the workbench. I used the lines I’d drawn around the door to position the porch, held it in place while flipping the house over, and then drew a line on the bottom that extended from the porch to the underside of the foundation. This way, when it came time to glue, I just had to match up the two lines.

(I also labeled the bottom of the porch “bottom” because attaching it upside down totally seemed like something I would do.)

To make sure the bottom of the porch was flush with the bottom of the foundation, Geoff clamped a metal straight edge to the porch to use as a guide.

He squirted on the construction adhesive.

And then clamped the porch in place.

We let it sit for a few minutes, and then he shot in some nails. He did the outer edges first, and then removed the clamp and did the center. It probably didn’t need that many nails, but see above re: over-engineering. (I’m not complaining!)

Once the porch was nailed in, we turned the house right side up again.

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Cross-stitched ginkgo rug and Craftsman chairs from a kit

Today I learned that the Japanese tree with the fan-shaped leaves is spelled ginkgo, not ginko. Who knew?!

I cross-stitched a ginkgo rug to go in the Craftsman bungalow vignette. The rug is approximately 2 7/8″ x 3 5/8″, stitched over one on 36(?) count fabric. The question mark is because I thought that was the size, but when I do the math (81 stitches x 104 stitches) it doesn’t come out right. Anyway, it fits well in the corner of the bungalow!

I charted this design based on a real Craftsman-style rug I found online.

Want to stitch your own ginkgo rug? I’ve made the chart available for free here: Ginkgo Rug Cross Stitch Chart (for personal use only)

I liked how the rug and rocking chair looked in the corner, and it got me thinking about these beautiful Craftsman rocking chairs that showed up in Bauder Pine’s Etsy shop last week. They were pricey ($129 for the pair), but perfect for the roombox.

I hesitated because I’d already bought a Jane Harrop kit for two Craftsman recliners, but after a bit of hemming and hawing I decided to pull the trigger… but I was too late. :(

(If the person who bought them happens to read this, I’m jealous!)

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Stained glass windows with Gallery Glass and a Sakura Glaze pen

I decided to add stained glass to the two small windows in the Craftsman bungalow. The last time I made stained glass windows, for the Victorianna, they were printed out on a transparency sheet that I then painted over with Gallery Glass paint.

Even with the Gallery Glass adding a wavy glass effect, these still look printed out. I wanted to try something different for the bungalow. (Also, the ink cartridges on my inkjet printer are dried up, and I hate buying new ones because I barely get any use out of them before they dry up!)

Back when I made the stained glass for the Victorianna, someone suggested trying a Sakura Glaze pen, which claims to have 3-dimensional ink. I bought one but hadn’t really used it, so I decided to give that a try.

I printed out a design I found online and traced over it with the pen. The ink does have dimension, and the pen is a lot easier to control than the bottle of Gallery Glass Liquid Lead (which I have tried before with bad results).

The ink beaded up on the acetate, so I had to keep going over and over the lines to end up with a solid line. This resulted in thicker lines than I wanted, and the circles were especially hard to do neatly.

Once the ink dried, I filled in the color by spreading dots of Gallery Glass with a toothpick.

Here’s how it looks when it’s wet.

And when it’s dry. The color is nice with the white background, but without the paper behind it, it’s too faint.

(Note: in case you’re noticing differences in the lead lines, the windows pictured above are not all the same window! I made several of these to try to get better at it.)

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